Ex Machina (2015). Starring the guy who inexplicably got the part of Apocalypse in the upcoming X-Men film instead of Stargate SG-1's Christopher Judge.
(Note: If you're like me, you'll want to go into this with as little information beforehand as possible [all I knew was that it somehow involved an android, and that she looked pretty cool]. If that's the case, you may want to read no further - avoiding as you do what could, in only the vaguest sense, be roughly construed as "spoilers.")
Robot Carnival. An anthology anime film, it could've been perfect... if not for one segment in particular.
You know the one.
On the off chance that you don't, it's entitled "Presence" and - with the possible exception of "Franken's Gears" - it sticks out like a sore thumb. This is because, amid all Robot Carnival's glorious action and/or comedy, "Presence" is like the most tragic, depressing thing ever.
Similarly, Ex Machina is four-fifths a great film. Then the climax arrives... and it's such a one-hundred-and-eighty degree tonal shift from what's come before that it's likely to give you narrative whiplash.
This isn't to say you shouldn't go see it. Everything leading up to that unfortunate resolution is both thought-provoking and engaging.
But please, do keep your expectations in check.
And now, the actual [SPOILERS!]
To those who've seen Robot Carnival: If you ever wanted to see what it would've been like if the robot girl from "Presence" wrought her vengeance upon humankind - well, here's your chance.
To those who've already seen Ex Machina: When you get right down to it, didn't AVA actually fail the test? All she did was trick the one person who was most predisposed to being fooled in such a manner by using the resources she was specifically given/built with to achieving such an end.
Basically, her creator - whether knowingly, or not (and to what purpose - neither issue being addressed in the film itself) - cheated; tricking some poor dupe into believing AVA was truly sentient.
...or was she? This goes back to the positive - namely, the way one continues to consider the larger implications and overall themes of this film once it's over: While AVA might arguably have consciousness, she certainly doesn't have a conscience - or, at the very least, she's amoral.
Hmm - this wound up being a not-so-dinky review, didn't it?